I was very pleased to find out recently that Katelyn Clark will be performing my piece Obsessive circularity of thought on Wed, February 22 (8:00 pm) at Chapelle St-Louis (4230, rue Drolet) in Montreal, QC. She commissioned and premiered the piece back in early 2015 and made this lovely recording at the Banff Centre. More info on the concert can be found here.
I am excited to be a guest at University of Calgary’s Forms of Sound 2017 festival starting today. Tonight I will be performing my very first ‘invented folksong’ Weeping for a dead love with the university’s percussion ensemble. They have been fantastic and we’ve had two amazing rehearsals. This work is my take on traditional Ukrainian weeping songs known as holosinnya, though instead of mourning a person, I will mourn a dead relationship.
Tomorrow’s concert will include a performance of my piano trio Like doves with grey wings embracing originally written for the Gryphon Trio and here performed by university faculty and students. This work is an instrumental reinterpretation of Weeping for a dead love.
The concerts also features works by Michael Horwood, David Berezan, Tawnie Olson, Analia Llugdar, and Guidonna Lee Terzi, Alyssa Aska, J. Alex Young and Abdullah Soydan.
The festival will continue on February 3 and 8th. All concerts take place at the Eckhardt-Gramatté Hall in the Rozsa Centre at 8 pm. More info here.
Later today I will be performing a revised version of my invented folksong Drown in the depth, which was commissioned by the 21C Festival in Toronto and premiered there last May.This time I will be joined by composers Matt McBane on violin and Ninfea Cruttwell-Reade on cello, and Mark Eichenberger on percussion. Drawing on and subverting Ukrainian folk imagery, this work explores female erotic fantasy. In this performance, I’m continuing to experiment with theatrical lighting design as well as some interesting props. The concert also features new music by Ninfea Cruttwell-Reade, Noah Kaplan, Matt McBane, Juri Seo and Kendall Williams. You can hear the show live at Taplin Auditorium in Fine Hall (Princeton University) or through this live stream link at 8 pm EST.
I am excited to be performing my piece What else can I give him? at the Unruly Sounds Festival taking place tomorrow (Sunday, Oct 2) outside of the Princeton Public Library in Princeton, NJ. I will be joined by Nick Tolle (cimbalom), Mark Eichenberger (percussion) and Florent Ghys (bass), who premiered the piece with me in December 2015. We are welcoming a new violinist, Andie Springer, for this performance.
The festival is free and will run from 12:30 to 7:00 pm. I will be performing around 2:00 pm. The rain location is inside the public library’s community room. For more info on the festival, visit this Facebook page.
What else can I give him? is part of a growing cycle of pieces I call ‘invented folksongs’ – pieces which draw heavily from the Ukrainian folksong tradition and marry it with a more contemporary compositional approach. Here’s a recording of the premiere performance with super duper violinist Courtney Orlando:
Leading up to the festival, composer-vocalist Annika Socolofsky and I got to visit Community Park Elementary school to chat and play with some kids in grades 4 and 5. Annika showed them some really cool ways to use their voices, and I told them about my upcoming opera Wild Dogs. We did some great howling, yipping, barking, chirping and croaking together. The kids made particularly great frogs hoping up with every “Enid” croak. I’ve never done something like this before and was surprised at how much fun I had with the kids.
Tomorrow, April 22, gamin and Alexander Sheykin will perform my piece On the courtship displays of Birds-of-Paradise at the National Gugak Centre in Seoul. This duo for saenghwang and accordion was commissioned by Soundstreams and premiered earlier this year by gamin and Michael Bridge in Toronto. This performance, entitled “Paradise Laboratory”, will include traditional Korean dancers and improvisations by gamin. It will be the first time that my music is heard in Asia.
For more information, visit the National Gugak Centre site.
This woodblock print is my study of the transformation of the Black Sicklebill.
My piano trio Like doves with grey wings embracing, which was originally written for the Gryphon Trio, will be presented at New Music Edmonton’s Now Hear This festival. The piece will be performed by members of the Violet Collective at the Holy Trinity Anglican Church (10037 84 Ave) on Sunday, March 20 at 2 pm.
I’m happy to be sharing the program with Colin Labadie and Lesley Hinger, two very talented composers whom I met back in 2012 at the National Arts Centre Emerging Composers’ Program. The concert also features music by Talia Amar, Alex Mincek, Lansing McLoskey, Erin Rogers, Morgan Krauss.
This is the second time that my music is featured at this festival and I am eternally grateful for their support.
I am super excited that the Gryphon Trio will be taking Like doves with grey wings embracing to Ukraine in a few weeks. This amazing ensemble will perform in Kyiv on September 28 (6:00 pm) as part of the Kyiv Music Fest. Please watch the festival’s Facebook page for locations. On October 4 (11 pm), they are performing in Lviv’s Contrasts Festival. This will be the first time that my music is heard in Ukraine. It’s amusing that a Canadian ensemble is importing music to the country of my birth.
The Kyiv concert takes place at the following location: Будинок Актора, вул. Ярославів Вал, 7.
I am super pleased to finally announce that for the past year I have been involved in the development of a brand new chamber opera based on Helen Humphrey‘s novel Wild Dogs. The project is being produced in Vancouver by Robert Carey and his black bachx opera lab. The opera is set in a small Ontario town plagued by unemployment and a pack of feral dogs made up of former pets, which have either escaped or been thrown out by their struggling owners.
I recently participated in a three-day libretto workshop with librettist Val Brandt, dramaturg Ann Hodges, producer Robert Carey and a crew of six fantastic actors (Kyle Jespersen, Heather Pawsey, Julia Arkos, David Adams, Shawn Macdonald and Kayla Dunbar). Ann led the workshop in a beautifully smooth and professional manner getting all of us to articulate our interpretation of the novel and our vision for the opera. She expertly mined the actors for feedback using them as a kind of “consumer testing” group. These super talented performers truly inhabited the world of the libretto and gave remarkably insightful comments. Val pulled some all-nighters to make significant revisions, which could be workshopped yet again the next day. She’s a superhero! The libretto has a solid dramatic arc and is well on the way to completion. It was a remarkably productive and inspiring process, and I’m grateful to have been involved.
From top left: me, Kyle Jespersen, Heather Pawsey, Julia Arkos, David Adams, Ann Hodges, Val Brandt, Robert Carey; Bottom left: Shawn Macdonald, Kayla Dunbar
In the evening of the final day, we held a reading and information sessions for some invited guests. The actors were fabulous, the atmosphere buzzing with excitement. The workshop and reading session were held in the East Studio at the Post at 750, the new downtown Vancouver venue inhabited by PuSh International Performing Arts Festival, Touchstone Theatre, Music on Main, and the DOXA Documentary Film Festival. Our time in the studio was generously donated by Music on Main.
In the next few months, Val will turn the currently more play-like libretto into a form more suitable for opera. I will start working on the music at the end of this year in preparation for the first music workshop scheduled for June 2016.
I would like to thank the Shevchenko Foundation and our private donors for sponsoring this project. I can’t wait to begin the music!
Paul Steenhuissen recently interviewed me for his podcast series SoundLab. The interview was commissioned by Toronto’s New Music Concerts in preparation for the Ukrainian-Canadian Connection concert happening on April 4th, which will feature the premiere of my piece Weeping. Paul asked some very probing and difficult questions, which forced me to define my compositional practice and goals.
We discussed my work with Ukrainian folk music, focusing specifically on Weeping and the grieving songs which inspired and shaped it, as well as an earlier piece Bridal Train, which was commissioned by the Thin Edge New Music Collective. We also talked about my explorations of childhood, Carl Jung’s archetypes and the cello in the piece The Child, Bringer of Light premiered by Paul Dwyer at Carnegie Hall. Finally, we discussed my work with graphic notation and unusual materials in the piece Through Closed Doors, also commissioned by Thin Edge.
In addition to recordings of my music, the podcast includes archival as well as my own recordings of Ukrainian folks music, and a bit of my singing. You can listen to the podcast online or download it here.
I am now selling art prints and postcards derived from my hand-drawn scores. I will be adding more items as they become available so check the Purchase page or follow my Etsy store to stay in the loop. I ship the items from Princeton, New Jersey.
Through closed doors, Illuminated manuscript, page 1
This 11×14″ art print is a high-quality copy of the first page from the hand-inked score for Through closed doors. It is digitally printed on thick watercolour paper with hand-made deckle edging. Available from Etsy.
Through closed doors, Illuminated postcard, page 1
This 5×7″ postcard is based on the first page from the hand-inked score for Through closed doors. It is digitally printed on cardstock.Send through the mail as a lovely greeting or frame as wall art. Available from Etsy.
Through closed doors, Illuminated postcard, page 2
This 5×7″ postcard is based on the second page from the hand-inked score for Through closed doors. It is digitally printed on cardstock.Send through the mail as a lovely greeting or frame as wall art. Available from Etsy.