I can finally share the live recording of Teach your daughters, which I premiered with Katha Zinn and Illya Filshtinskiy from aTonalHits on a Princeton Sound Kitchen Concert on March 1. Because of the difficulty of the subject matter, this piece took a very long time to take shape.
This piece for voice, violin and prepared piano is my reaction to the horrific rape and murder of Ukrainian teenager Oksana Makar, which took place in 2012. More broadly, it explores the issue of victim blaming. The piece weaves Oksana’s story through a folk song I recorded while traveling in northwestern Ukraine in the fall of 2012. The story of the folk song’s heroine, Halya, is eerily similar to Oksana’s, which speaks volumes about the prevalence of such horrific violence against women and its perception throughout history and in the modern times.
I discussed this work in an interview with Nick Storring, which appeared in the fall issue of Musicworks Magazine. Katha, Illya and I workshop the initial sketches for this piece at Avaloch Farm in August of 2015.
Tonight, Essential Opera is performing a revised, two-voice version of my mini-opera, Mirror, mirror. It’s a retelling of the classic Snow White story, focusing on the relationship between Snow White and the Queen, and exploring issues of aging and watching children grow up and take one’s place. While the original version was written for one vocalist, Janice Jackson, performing both roles, tonight’s performance will feature Maureen Ferguson and Julie Ludwig, with musical direction by Cheryl Duvall.
The performance will take place at 7:30 pm at the Heliconian Hall, Toronto. More info here.
A year ago, I made an illustrated score for the piece comprising of five hand-printed panels. There are only seven copies, with six available for sale.
My piano trio Like doves with grey wings embracing, which was originally written for the Gryphon Trio, will be presented at New Music Edmonton’s Now Hear This festival. The piece will be performed by members of the Violet Collective at the Holy Trinity Anglican Church (10037 84 Ave) on Sunday, March 20 at 2 pm.
I’m happy to be sharing the program with Colin Labadie and Lesley Hinger, two very talented composers whom I met back in 2012 at the National Arts Centre Emerging Composers’ Program. The concert also features music by Talia Amar, Alex Mincek, Lansing McLoskey, Erin Rogers, Morgan Krauss.
This is the second time that my music is featured at this festival and I am eternally grateful for their support.
More info about the concert can be found here. Check out the rest of the festival here.
Today I will be premiering Teach your daughters with the Brooklyn-based duo aTonalHits at the Princeton Sound Kitchen concert Polyptych. The concert’s theme is Composer-Singers and will feature music by Elliot Cole, Christopher Douthitt, Alex Dowling, Emma O’Halloran and myself.
I discussed the initial idea for this piece in an interview with Musicworks Magazine before taking some sketches to Avaloch Farm last August. While there, I played with Katha and Illya’s box of Cage piano preparations and tried out some basic ideas with them. I am looking forward to finally bringing this piece to life.
Trying out sketches with Katha Zinn, violin, and Illya Filshtinskiy, piano, at Avaloch Farm.
I’m in Toronto having some great rehearsals with Michael Bridge and Gamin in preparation for the premiere of On the courtship displays of Birds-of-Paradise. This duo for accordion and traditional Korean instrument saenghwang was commissioned by Soundstreams. The premiere will take place on February 10 (8 pm) at Trinity-St. Paul’s Centre at 427 Bloor St West. I will discuss the piece with artistic director Lawrence Cherney at a pre-concert chat at 7 pm. More info here.
I just found out that Dobrochna Zubek will perform The Child, Bringer of Light as part of the “Fast Forward Crescendo” concert at Zamek Cesarski happening on January 7 at 7:30 pm. This will be the first time that my music is heard in Poland.
Dobrochna Zubek rehearsing The Child at the Music Gallery in Toronto in February 2014.
Back in May I premiered Weeping for a dead love with So Percussion Quartet as part of the Princeton Sound Kitchen. This performance was my debut as a folk singer of sorts and I’m very grateful to the guys from So for participating in this experiment.
This work draws on the now rare rural Ukrainian tradition of mourning songs, half-chanted, half-cried laments sung by women at funerals and over grave sites. They consist of small melodic cells, which expand and contract to fit varying phrases of text. For the content, the singer seems to borrow commonly used formulas filling in her own specific details to describe her loved one, the manner of his or her death, her own reaction to it, and the realities and fears of life without this person. The overall effect is both devastatingly emotional and meditative at the same time.
I discovered this tradition through archival recordings while doing fieldwork in Ukraine in the fall of 2012. Mesmerized by its sonic qualities and emotional power, I first explored it in Weeping, a work for six instruments commissioned and premiered by New Music Concerts in Toronto. Unable to leave this haunting world, I now draw and expand on its melodic and poetic formulas to mourn the death of a romantic relationship rather than a person. The vocal line is only roughly notated to allow room for ornamentation, and basic rhythmic and melodic freedom.
You can download the text and translation here.
The lovely Ilana Waniuk and Suhashini Arulanandam will perform Through closed doors with the one-and-only door score in Mississauga, ON this Sunday, November 22. Dobrochna Zubek will also perform The child, bringer of light for solo cello. The performance will be part of a Thin Edge New Music Collective concert featuring music by Linda Caitlin Smith, Anna Hostman and Ana Sokolovic.
The concert will take place at 2:00 pm at the Great Hall in the Unitarian Congregation, 84 South Service Rd., Mississauga, ON.
I am super excited that the Gryphon Trio will be taking Like doves with grey wings embracing to Ukraine in a few weeks. This amazing ensemble will perform in Kyiv on September 28 (6:00 pm) as part of the Kyiv Music Fest. Please watch the festival’s Facebook page for locations. On October 4 (11 pm), they are performing in Lviv’s Contrasts Festival. This will be the first time that my music is heard in Ukraine. It’s amusing that a Canadian ensemble is importing music to the country of my birth.
The Kyiv concert takes place at the following location: Будинок Актора, вул. Ярославів Вал, 7.
I’m looking forward to the US premiere of my newest trio Like doves with grey wings embracing, performed by Trio Chimera as part of the Princeton Sound Kitchen concert happening on Tuesday, September 15 (8:00 pm) at Taplin Auditorium in Fine Hall (Princeton University, Princeton, NJ).
This piece draws on material from my work Weeping for a dead love, which I premiered with So Percussion last May. The violin and cello sing my vocal lines, while the piano expands on the sound of the four Noah bells, which so magically fit themselves into the sonic landscape of this piece.